My work takes from a week to a month to weave, I work 12-14 hour days, every day and I also mix and dye my colors, plus all other prep. Therefore, there is a learning curve initially but my work is quite easy to deal with. Your family? The progress women made in the 1970s and 1980s in accessing positions of power and authority slowed considerably in the 1990s and has stalled in this century (Stainback and Tomaskovic-Devey, 2012).In 2013, 14.6 percent of executive officers in Fortune 500 companies were women, down from their 15.7 percent share in 2002 (Catalyst, 2006, 2014).In professional service firms, as well, … I started out working in a more abstract painterly fashion with the yarn because I was just in the beginning stages of learning shading, making shapes, and how to plan for large scale tapestries. Weaving was a process I had no knowledge of and I connected instantly with it. Some collectors chose to frame the pieces and this allows the work to feel a bit more like paintings, less fragile. I have no idea. I guess I am an artist. These eventually led me to combine the two, making simple drawings that I translated into tapestry using a very limited color palette. Strangers? I make the things that I want to make and for no other reason. In the Studio: Erin M Riley - Duration: 7:13. Erin M Riley is a Philadelphia-based artist whose chosen medium is weaving, something that has not been covered much here on AM. Read Article Juxtapoz Magazine: Via Wool & Cotton: An Interview with Erin M Riley - will open in a new window "Check Out the Most Exciting Art From Frieze 2016" Link to Article "Check Out the Most Exciting Art From Frieze 2016" - will open in a new window. Established in 2011 in Seoul, South Korea. There are topics that are really difficult that I want to work with but don’t think I could emotionally handle working with for days at a time. Projects in 102 countries. Chauntrice Riley-Stanford joined Pre-Health and Pre-Law Advising in April 2016. Textile artist Erin M Riley weaves internet-native images of women in various states of undress, presenting themselves in sexualized display, and in … This is the conversation that followed. Are there any topics that are ‘off-limits’ to you? EMR: Yes actually, you can look for my work at Paradigm Gallery in Philadelphia, August 30th, in September at Joseph Gross Gallery, University of Arizona and Bryan Ohno Gallery, Seattle, WA. Tapestry allows images to be given more time, for hookups to gel, for mistakes to be thought over, its a way to over analyze every detail. Do Ho Suh recreated entire apartment in museum, Yeesookyung’s ceramic vases: Imperfection & surprising results, The 10 best works of Shanghai’s West Bund Art Fair 2019. Weaving is just another way to arrange color on a 2-dimensional surface. As soon as she learned sewing, Erin Riley became instantly hooked on everything to do with textiles. She has taken a look at both her own and the collective consciousness of the individuals of today and laid what she sees for all to witness. I do feel like the market is evolving for textiles, my work is being collected all over the country and abroad, people are coming to me with questions about care, maintenance, etc. Erin Riley‘s work is a perpetual fusing of the virtual and the real. I collect and prepare colors for the pieces and get everything ready to start weaving, after that its just a slow and steady process of weaving the image from the bottom up. and making work from the perspective of an outsider artist and being successful because they do not have 40-50 years of ancestors of a medium weighing them down. I am quite keen to do an interview with her, so I got in touch with them, and their founder gave me a call this afternoon She makes tapestries addressing the myriad of issues youth, and particularly women, face and the pain that we go through and sometimes inflict upon ourselves. ... She is also an ambassador for the Australian Indigenous Alpine Sport Foundation. I particularly like your latest tapestry with the bloody tampons. “We exist online with the personas we inhabit,” Riley says, “This show is about the things we hide.” You can follow Brilliant Champions and Erin Riley on Instagram: @brilliantchampions, @erinmriley. 7:13. How did the transition come about? Virtual Reality // Digital Intimacies, Physical Objects: An Interview with Erin M Riley. My friend Mickey told me that his friend, artist Erin M. Riley gave it to him and I should meet her and check out her work. Most visited arts non-profit online. From painters to photographers to poets, the voice of our moment is often told most aptly and timelessly through what they create. I was taking them or asking old boyfriends for theirs and presenting tapestries of myself alongside the other women to see how I felt, like could I go through with making these pieces public. I am also constantly sharing my process on Instagram as erinmriley. by the blind architect - December 1, 2012. EMR: In the first year or two of weaving you’re just figuring out the technical logistics, learning how looms work, different materials, strengths, and making a lot of mistakes. I travel around the country to residency programs when I get the opportunity and exhibit all over. Sister Corita Kent's Rules For Creatives - Why they matter today, Damien Hirst's Spot Paintings - Trivial or inspiring? I am interested in the difference between photographs taken in which men think the woman is sexy vs. the woman in the photograph feels sexy. I was interested in sewing and painting, and the fibers major was something that sat perfectly between those two. People hate dealing with hard subjects. EMR: I have had an interesting go at selling artwork, I support myself through sales, but for many of my collectors my tapestries are the first piece of textile art they have collected. American-born artist Erin M. Riley’s handwoven tapestries are as much works of self-poetry as they are a critique of how we, the public, engage with subjects such as domestic violence, sexual objectification, and stalking. So as a woman who has been attracted and sexually aroused by women since I can remember, this is a balancing act. The images I am weaving are traditionally images that might be sent through Snapchat nowadays, or the ones that might be deleted after a hookup, I try to take pictures of the condoms after I have sex, the pictures I send to people, pictures of tables at parties, substances & liquids that change the coarse of events. 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