0,92 sec 2.34 Functioning essentially as a stand-alone short film, the 13-minute sequence informs the viewer that all the rules of horror movies—rules that Craven himself had helped establish—no longer applied. In the indelible opening stretch, a young man (C. Thomas Howell) picks up an enigmatic hitchhiker (Rutger Hauer) on a rainy night in the middle of nowhere. You must be a registered user to use the IMDb rating plugin. Devil In Philadelphia, Detective Bowden is still grieving for his wife and son, killed in a hit-and-run five years ago. The scene where Damian visits his attic and starts ranting at the statue of Jesus on the cross, is like an angry adolescent having a … Meanwhile, a now-bloody booby trap swings back into view, folding into the ceiling to await its next victim. A pot of boiling water creates an almost unnoticeable transition from day to night; the camera follows two conversations (one by phone, one by computer) through the cramped quarters, efficiently establishing geography; and then a great use of “There’s someone behind you” leads into… nothing. [Ignatiy Vishnevetsky], The opening of Dario Argento’s Suspiria perfectly sets the tone for the film, establishing a vividly stylized nightmare world that’s equal parts beautiful and terrifying. With Halloween right around the corner, and Horrors Weeks in full swing, The A.V. It begins with Dr. Sarah Bowman (Lori Cardille) imagining herself staring at a pretty picture in an otherwise featureless room, before a dozen writhing zombie arms burst through the wall. The scenes themselves range in length, from about a minute to a good 15 or 20, with the only criteria being that they must constitute the first scene or passage, excepting a credits sequence. Before the audience even sit down to munch on their popcorn they are aware that the film will be a horror mainly due to the title ‘Devil’. It’s one of the most convincing expressions of terror ever put on film (the actress, Susan Backlinie, deserves a spot in the scream-queen hall of fame for her three minutes of screen time), and that monstrous fear ripples through all of Jaws, staying on our minds even (or perhaps especially) when the shark is “safely” out of sight. A man in a prisoner’s jumpsuit awakens, confused, inside a massive, cube-shaped room with four hatches. The scene in which Rosemary is raped by Satan was ranked No. They are the CLACKERS of Elias-Clarke. Without being able to contact the individuals, he tries to work out who they are, but he can only account for four of them. [Katie Rife], More than a year after it premiered in Toronto under the title February, director Oz Perkins’ supremely creepy directorial debut still hasn’t crept into theaters. All she wanted was a relaxing skinny dip on a nice summer night, and maybe to get laid by the drunk hippy she makes eyes with across the beach bonfire. Sexually repressed nuns let their habits fly. Use the HTML below. The communication radio in the elevator is broken but the guards, Lustig and Ramirez, observe the individuals via CCTV as events unfold. Black Sunday doesn’t just show the repulsive, but treats it as though it were self-evidently beautiful: blood spurting from a spike, flesh glistening under a brand, a gargoyle mask being fitted over a young woman’s face. I look like a whale. When the tape breaks, the restless duo start playing a series of car games, from the reckless (driving with the headlights off) to the shamelessly nostalgic (a ’50s and ’60s TV-heavy game of “Name That Tune”). Time is running out for the occupants of the elevator, as Bowden realizes he has to get them out quickly. From this first scene, It Follows teaches its audience to fear the frame. One of the prop books used in the movie, sold in an online auction for $586, and proceeds went to Dress for Success, a non-profit organization that assists more than 45,000 disadvantaged women each year as they transition into the workforce. And the best fright flick of the new millennium is half over before anything remotely frightening occurs. But Wan plays hauntings like a conductor plays an orchestra. 2.20 Towards the ending of the next shot of the dragging-scene the unrated version is again a bit longer. Much like the opening scene itself. Kevin P. Sullivan 10/21/2014 In a world that can be cruel, random and unjust, bed is one of the few objective goods. Directed by John Erick Dowdle. Want to share IMDb's rating on your own site? Keep track of everything you watch; tell your friends. That disconnected moment leads into a classic “alone in the house” scenario, and director Nicholas McCarthy is practically Spielbergian in his narrative cleverness. Club is counting down the scariest, creepiest, and most nerve-shredding opening scenes in horror-movie history. Director Joseph Ruben, working from a screenplay by Donald E. Westlake, doesn’t try to be cute, showing Henry with bloodstained hands and arms the very first time we see him, standing in front of his bathroom mirror. Great horror can trick its audience into not being able to look away. It’s a miniature zombie movie, told in barely more than six minutes, that nonetheless encompasses an entire narrative unto itself. But a tight budget primarily limited Day Of The Dead to one sparsely decorated underground bunker. What wrongdoing did each of the trapped people commit. A science teacher, his wife, and a young girl struggle to survive a plague that causes those infected to commit suicide. Five strangers' day begins with an elevator ride in a Philadelphia office tower. And her death, when it inevitably did arrive, was brutal. The orphanage seems to be hidden away from civilisation as there is nothing surrounding it e.g no shops, houses or many people. Rated PG-13 for violence and disturbing images, thematic material and some language including sexual references, Dana DeLorenzo to Reprise Role as Kelly Maxwell in Evil Dead: The Game, Top 100 Most Anticipated Foreign Films of 2021: #92. It's a How-To that should be taught in screenwriting courses all over the country but probably will never even get a passing mention. The long opening follows an increasingly nervous babysitter as she keeps getting phone calls from someone who asks, softly and ominously, “Have you checked the children?” From Carol Kane’s escalating anxiety as a woman alone, to the blood-chilling kicker from the police—“The calls are coming from inside the house!”—When A Stranger Calls begins with a sequence that’s a suspense classic in and of itself, touching on our common fear of being stalked where we live. On paper, the opening of The Conjuring is pure boilerplate (a creepy doll that seems to move when people aren’t around) bracketed with excess information (paranormal investigators listen to the story of the creepy doll and explain what they think is behind it). And the camera pulls back at the end to reveal the monster floating, above the door, in a great and chilling tease for the movie to come… if only it lived up to that prompt. [Alex McLevy], James Wan came on the horror scene with the overwrought twistiness of Saw, but his Conjuring movies have a genre classicism that borders on stateliness by comparison. From the stars of "The Good Place" to a pair of "Pretty Little Liars," check out our gallery of celebrity besties. When Wan turns to the humans menaced by this doll, he uses his lighting scheme to conceal faces, corners of rooms, and the doll itself. 5,56 sec. stuff for evil ladies: http://zindiq.co/2017/09/28/the-rad-girls-who-wear-leatherface-masks/A bit more sophisticated horror movie, for a change. Even more running time elapses before John Hurt gets some very nasty chest pains in Alien. When someone jumps from a skyscraper onto a truck, Bowden is sent to investigate. But we think of you every time we dip our toes in a dark body of water and decide that maybe dry land is the better bet. Director-cinematographer Mario Bava’s style is exclusively visual (the acting here is nothing to write home about), hearkening back to expressionist silent film and 1930s Universal horror; his lush, textured black-and-white images relish and even fetishize the torture and torchlight. Ned, the bullied outsider, and Conor, a new boy and star athlete, are forced to room together at their cloistered boarding school. ANDY runs in. 8 of 8 people found this review helpful. It’s the stuff campfire scares are made of, but The Hitcher turns into something more fundamentally unsettled, combining Hauer’s magnetism, the mystery of roadside landscapes, and the intimacy of a car interior into a source of both mounting discomfort and seduction. That’s not a great advertising strategy, and neither is the sight of watching the mob beat its victim—whether he’s innocent is up for debate—with iron chains, nail him to a stone wall, and throw quicklime on him so he starts dissolving before our eyes into a fizzy goop. Tomasz Wasilewski’s Glupcy, Chris Messina to Star in HBO Max Pilot ‘Verbatim’. When Suzy pulls up to her new home, a German ballet school, in the pouring rain, we switch focus to a frantic young woman fleeing the school on foot. When director Brian De Palma cuts to slow-motion locker-room voyeurism, the camera eventually finds Carrie again, her shower reverie broken as a close-up reveals, to her horror, blood making its way down her legs. [Ignatiy Vishnevetsky], All five Final Destination movies begin the same way: Some hunk or babe experiences a premonition of mass doom (a plane crash, a malfunctioning roller coaster, a bloodbath at the race track), which they and a few others are then able to narrowly sidestep, incurring the score-settling wrath of death itself. [A.A. Dowd], The Pact opens on an unblinking eye, like an inverted homage to the rapidly blinking eye that kicks off Michael Powell’s Peeping Tom. Serving as a prologue to the film’s main plot, the scene rewinds to 1927 and the murder of a suspected warlock in the basement of the Seven Doors Hotel, so named because it contains one of the seven portals to hell. A family living on a farm finds mysterious crop circles in their fields which suggests something more frightening to come. One of the best directed scenes ever! ELIAS-CLARKE ELEVATOR -- DAY 7 ANDY is a shrub in a CLACKER forest. Testing each, he finds they all lead to other cube-shaped rooms, all bathed in different colors. You died too young, Chrissie. Steel your nerves and secure your popcorn, because these are The A.V Club’s 25 scariest opening scenes in horror-movie history: Even in his giallo movies, suspense was never really Lucio Fulci’s thing. Carpenter’s stylized staging of the sequence treats the gaze of the young Michael Myers as elemental; slipping from artful expressionism into lurid voyeurism, the whole unshakeable sequence suggests the perspective of a killer whose psyche could be the dark side of film itself. That fact is a Greek tragedy. The dream is over as quickly as it began, but the suffocating dread seems to follow Kat into her waking life, suffusing the entire movie—an exercise in sustained unease that recalls everything from Suspiria to The Shining—with the atmosphere of a nightmare that never ends. [Noel Murray], A critical and commercial failure in its initial release, The Hitcher has earned a well-deserved cult following. 6 OMITTED 6 7 INT. Written by [Alex McLevy], George Romero originally planned to out-do his 1968 cult hit Night Of The Living Dead and its critically acclaimed 1978 sequel Dawn Of The Dead with a grander-scaled third chapter. (2010). When the taunts begin, the hook has already been set—with a last scare that still surprises. It’s followed by a gory sequence of their newly halved bodies slip-sliding apart, and finally, genuine psychological terror, as the little girl realizes she’s now all alone, in the middle of the ocean, atop a floating corpse-pile. But in its first minutes, the film is nothing but a master class in suspense, staged by Verbinski as a series of back-and-forth shots between empty but menacing rooms and Amber Tamblyn’s increasingly terrified face. That’s how it starts: with an overhead shot of girls in gym class playing volleyball, the camera craning down to find Carrie (Sissy Spacek) standing nervously in the back row, about to screw up a crucial play. This leads to a discussion of Twilight Zone twist endings, which, of course, leads to a twist ending of its own. The scene culminates in a bloody, brutal hanging death, a clear signal that this particular fairy tale is way more Brothers Grimm than Disney. Following the film's premiere, a string of other films focusing on Satan worshippers and black magic were produced, including The Brotherhood of Satan, Mark of the Devil, Black Noon, and The Blood on Satan's Claw. The devil in The Final Conflict is the Lucifer Morningstar of the Old Testament, who was thrown out of Heaven because of his pride and jealously. Those are some of my favorite movies, folks, but I admit their openings pale in comparison to "Before the Devil Knows You're Dead". Held captive and faced with their imminent executions, fifty strangers are forced to choose the one person among them who deserves to live. And, much like Robert Carlyle’s panicked breaths on his escape boat, the sequence leaves viewers breathless and exhilarated, and with the bleak assurance that death is coming for everyone. But for those few fleeting minutes, it’s a classic. 23 on Bravo's The 100 Scariest Movie Moments. Pretty creepy. Especially the opening scenes and the scenes inside the elevator shaft. The rest of Ghost Ship would be hard-pressed to live up to that, even with a script that wasn’t tedious, predictable claptrap. The actor vanishing silently into a darkened room ends up being far more chilling than any jump scare, and the whole sequence sets up a film that marks McCarthy as one of the more promising young horror directors working today. Claudio Carvalho, Rio de Janeiro, Brazil, Pretty good movie all around. When someone jumps from a skyscraper onto a truck, Bowden is sent to investigate. In Philadelphia, Detective Bowden is still grieving for his wife and son, killed in a hit-and-run five years ago. New York police officer Ralph Sarchie investigates a series of crimes. But, what happens next is anything but ordinary. IFC Midnight shared this opening sequence from Loved Ones director Sean Byrne’s heavy metal horror film, The Devil’s Candy, which is now in … Devil (2010) cast and crew credits, including actors, actresses, directors, writers and more. Just because you’re paranoid… [Mike D’Angelo], John Carpenter’s genre-defining Halloween was not to the first to use a stalking “creep’s eye” point of view for its opening scene (Bob Clark’s Black Christmas did something similar four years earlier), but it remains the standard. A social worker fights to save a girl from her abusive parents, only to discover that the situation is more dangerous than she ever expected. The late David R. Ellis masterfully ratchets up suspense, cutting from one driver to another on a crowded, slippery stretch of highway, before orchestrating a spectacular panorama of vehicular mayhem. 2.14 Again, the woman is dragged a few inches further. The films range in quality as well, because even a terrible horror movie can start exceptionally strong. It’s two demolition derbies for the price of one! (Because beginning with a bang is a fairly modern tradition, we couldn’t find anything particularly applicable from cinema’s first half-century—though we wracked our brains, honest!) Attempts at imitating the first-person with a camera are often awkward, but Halloween’s unbroken handheld shot is amazingly fluid. The violent, sexual, and religious content of director Ken Russell’s 1971 film The Devils has long made it one of the most controversial horror movies of them all. Time is running out for the occupants of the elevator, as Bowden realizes he has to get them out quickly. Detective Bowden (Chris Messina) is called to the scene to aid in the investigation. He joins forces with an unconventional priest, schooled in the rites of exorcism, to combat the possessions that are terrorizing their city. The Italian director was more into gross-out gore, and there’s plenty of that in the opening scene of The Beyond. Instead, the girl ends up chum, and the unwitting star of the scariest opening scene in all of horror. The horror then goes from micro to macro as our traumatized heroine steps out into blinding daylight to discover that her entire neighborhood—and by extension, the entire planet—has gone straight to hell. I can’t wear cropped pants. At least a half-hour passes in Psycho before Marion Crane takes that fateful shower. Drew Barrymore’s Casey was not going to make it, no matter how hard she fought back. Yesterday, screenwriter Aline Brosh McKenna tweeted out the last iteration script of the iconic and endlessly rewatchable film, The Devil Wears … The film begins with a simple black-and-white title sequence, before cutting to the world’s most stylishly lit airport, where we first meet American student Suzy (Jessica Harper). Movies. She takes refuge in a friend’s similarly stylish apartment, where she’s besieged by an unknown supernatural assailant as Goblin’s music whips itself into a pagan frenzy in the background. Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie … The films range in release date from 1960 to next year, when a festival favorite of ours will finally hit theaters. When it comes to the spooky stuff, sometimes it’s good to get right down to hair-raising business. Faust is considered by many to be Goethe's magnum opus and the greatest work of German literature.. Whistling “Camptown Races,” he strolls off to become “Jerry Blake,” seeking a new, unwitting family to disappoint him. A young widower returns to his hometown to search for answers to his wife's murder, which may be linked to the ghost of a deceased ventriloquist. [A.A. Dowd], If you showed somebody unfamiliar with The Stepfather its opening scene, absent any context, they’d be likely to assume that it’s the movie’s finale. When the cable finally snaps, slicing through all aboard—save for one little girl, spared by her height—there’s a pregnant, blackly comic pause as everyone slowly realizes what’s happened. The much-imitated opening, in which a 17th-century witch (Barbara Steele) curses her executioners, still disturbs. Answering a ringing telephone on the far end of a long hallway, prep-school student Kat (Kiernan Shipka) receives bad news (the voice on the line is an unholy croak), before having visions of an ominous snowbank, a demolished car, and a man in a long, black overcoat. [A.A. Dowd], John Landis is a comedy director as much as he is a horror director, but no matter what genre he’s working in, he’s always a baby boomer. Instead, the opening traffics in different, more relatable anxieties: social misery, loneliness, cruel mockery, and an empathetic fear for Carrie herself, who seems so unequipped to navigate this nasty world. [A.A. Dowd]. A man accepts an invitation to a dinner party hosted by his ex-wife, an unsettling affair that reopens old wounds and creates new tensions. The biggest star in the film, then in the midst of a career renaissance, was not going to survive through the opening credits. Every one of these opening set pieces is a gory delight, but the best of the bunch is probably the multi-car pileup of the first sequel. View production, box office, & company info. Two siblings become increasingly frightened by their grandparents' disturbing behavior while visiting them on vacation. In this case, it’s the VHS tape possessed by an evil spirit, providing a bevy of allegories and ideas for discussion. Snyder’s coup de gras: a stylishly disturbing credits sequence that sets an end-of-the-world montage to the apocalyptic folk of Johnny Cash’s “When The Man Comes Around.” On a whole, Snyder’s Dawn is no patch on George Romero’s. The Seventh Seal (Swedish: Det sjunde inseglet) is a 1957 Swedish historical fantasy film written and directed by Ingmar Bergman.Set in Sweden during the Black Death, it tells of the journey of a medieval knight (Max von Sydow) and a game of chess he plays with the personification of Death (Bengt Ekerot), who has come to take his life.Bergman developed the film from his own play Wood Painting. Watch horror movies try and fail to ruin bed. All of these elements come together beautifully in Landis’ prologue to the 1983 anthology film Twilight Zone: The Movie, which opens with comedians Albert Brooks and Dan Aykroyd cruising down a dark, winding highway toward some unknown destination, jamming to Creedence Clearwater Revival’s “Midnight Special” on the car radio. [Noel Murray], It’s hard to remember a time when Zack Snyder was an exciting new name in genre filmmaking. We don’t yet know how the creature works, and that lack of knowledge is the scene’s trump card. Like the Final Destination franchise on a whole, this disaster movie in miniature plays on a collective fear of senseless demise, building a diabolical Rube Goldberg device from of our anxiety about freak accidents. CLACKER #1 You look awesome today. George Romero’s first zombie movie eventually serves up a small army of hungry corpses, but it kicks off with a single, slightly lurching guy (Bill Hinzman) in a suit, looking like just another mourner at the cemetery where Barbra (Judith O’Dea) and her brother, Johnny (Russell Streiner), have arrived to place a wreath on their father’s grave. He chooses one, seemingly at random, and, in the blink of an eye, tiny lines appear across his face. 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